Thanks to Alex J. Cavanaugh for organizing and hosting the Insecure Writers Support Group every month. Go to his blogto see the other participants, and understand what the group is all about.
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I’ve been away the past two weeks, traveling, writing, offline. I wrote the last two chapters of my novel. They came easily, but also gave me a lot of anguish. I don’t know how much of myself I’ve put in the novel, in the characters, or the plot, but it is clear that parts of it upset me. The darkness of the subject matter, I suppose. Nearly all my writing has dark undertones. Though I almost always end on a note of hope, it is definitely painful for me and those who live with me!
The view outside my window in Malaysia
This time, I had a beautiful horizon to gaze at while I wrote (thanks to a very kind Malaysian friend who lives in front of this view), so the words came easier. Something about gazing at the open seas makes me feel small, unimportant, and with little responsibility. That’s how I want to feel sometimes — because then the onus of finishing, say, a 91,000-word manuscript, is not so much on me. The sunsets were gorgeous, and made me think not-so-sadly of the sunset of my characters.
Sunset from my Malaysian window
I lay down and did not get up for four days after I finished, flattened out by a series of backaches and headaches after I came back home. No amount of stretching and medication helped, so I went into hibernation. I’ve emerged after the weekend, shaky, sore, and ready to take on the world. I’m not sure what caused the systemic breakdown, but I’m glad it’s over.
Now, a break while I brush my blogs (namely, the A to Z Challenge — sign up now, if you haven’t already!), short stories, my reading, and my life. Then it is back to the novel — the grind of revisions, of edits, re-writes, more revisions.
I have seen my name in print before, but this one is special because it was no long in the waiting: Sini Sana : Travels in Malaysia will be out in bookstores soon. It features one of my travel pieces, “Finding Zen at Tasik Kenyir” .
About the book:
“Hujan emas di negeri orang, hujan batu di negeri sendiri …” Thus begins a Malay version of the proverb, “Be it ever so humble, there’s no place like home.” Humble, perhaps, but never humdrum. Sini Sana: Travels in Malaysia features the very Malaysian journeys of a dozen writers who have managed to uncover hidden gems that may not all glitter like gold, but are still rare and precious finds.
A kopitiam (coffee shop) stopover yields an unexpected trip back through time, and a promise delivered too late. A foreigner’s visit to a pasar malam (night market) educates and overwhelms him at the same time. A bad call turns triumph into tribulation atop a storm-swept mountain ridge. A catch-your-own-lunch island holiday enlivened by dodgy old boats, crusty captains and run-ins with the island’s local residents. There are encounters with trees that come alive and a child seemingly possessed by a Hindu god. These are just some of the stories found in this collection.
From idyllic beaches, isolated jungles and ancient ruins, to sleepy hollows and small towns, these travellers’ tales chart a course back to a country we once knew—or thought we knew—and its ongoing metamorphosis into a place of our best hopes and sweetest dreams. Even after all this time, it’s actually possible to find the new within the familiar.
I have yet to hold the book in my hand, because it is on its way from Kuala lumpur, but I know I’ll be happy when I do get it.
I’ll always remember that the germ of this piece was a post on this very blog. I made the post private once I had submitted the piece and it was accepted, so I cannot link it here, but it is one of the many reasons I’m thankful for this blog.
The other reasons are mostly you, the visitors, who have now become my blog friends. Thank you so much for reading, commenting and cheering me on as I stumble along on my little writing adventure.
I have written before about the view from a writer’s window, but that was when I was in Singapore, and the view included the Singapore Harbor Bay, and the tree-filled East Coast Park. The only kind of homes I could see in the distance were tall apartment blocks.
But now, back in Kuala Lumpur, the view has changed. I can see rows of 2-storied town houses, a few 5-storey bungalows with two swimming pools each, roads snaking about far and near, and cars racing along them, like so many shiny beetles when the sun falls on them.
I can see apartment blocks in the distance,but what I most like seeing are the clumps of greenery, in gardens, on the streets, and pieces of tropical jungle that haven’t yet been meddled with, and hopefully never will be
As I sit and write, I have to look up and think, work out some odd crinkle in my head, and I see an old lady doing Tai chi in her garden, a young boy going for a run, and I’m grateful for the morning around me, and grateful for the song of the starlings whose voices reach me so many floors above the ground. And I’m grateful for the breeze that wafts in, teases my hair, wanting to play.
At lunchtime when the sun beats down most days, I hang on to a glass of orange juice, and spoon through a little leftover casserole that melts in the mouth, and try to tell myself I must finish this piece or that one, and send it off.
Afternoons, the sun beats down into my wall-sized glass windows, and I hide, drawing the curtains close.
I like the shadow of play and light on a rainy day, when it might be raining up the hill, but perfectly dry and sunny in my neighborhood. I draw away the curtains and watch.
I love the vibrant orange sunsets, with colors thrown around in happy abandon, as if toddlers had been splashing around in colored water, orange, pink, dusky red, and smearing them on the blue face of the sky. And amid all the color, the sun itself, looking tame and benevolent after the exertions of the day, like a naughty but exhausted little boy.
If a good view from the writing desk made for better writing, I would’ve been a writing goddess by now. But it sure doesn’t hurt, and I write every day in the hope that someday I would finally do justice to this writing desk with a view.
For me, vacations have always been about fun. But my trip last weekend was serene, tranquil. Not “fun”, but regenerating.
Writing about a Weekend at Lake Kenyir
Day 1
A short flight from KL Friday afternoon and we are in Terrenganu, a quaint Malaysian city. A drive through the city and acres of palm plantations later, we are at our resort by the Lake Kenyir, our balcony overlooking miles of blue, and swathes of green. I love it when I get to be at a place where there are more trees than people.
(I’ve put in a YouTube of a slideshow of the pics, but they’re a bit grainy, I’ve been stingy on pic sizes!)
Day 2
I wake up to balmy sunlight through white curtains. Stepping into the balcony, I fall in love with the place all over again. A hearty breakfast later, I settle down to laze, undisturbed, enveloped only by the sounds of lapping water, a distant bird-call or two (my husband spots black and white horn-bills, but I only hear them honking from time to time), and the incessant chirping of a thousand invisible crickets. Palm trees, tall tropical vegetation everywhere, with ferns and creepers galore, the play of light and shadow on the grassy slopes of the lake, the susurrating of lake breeze through a million leaves. Nap-time.
Writing about trees, water, sunshine
A fishing trip in the afternoon on the enormous lake, a lake which was born when a whole host of rivers were dammed up and the waters gathered to form the biggest artificial lake in Asia. Tree trunks–dried, old, moldy–stick out of the water like eerie monsters, skeletons of the nature that has been destroyed, standing in mute memorial of the jungles drowned to create this lake.
A sleeping trip for me, while the husband attempts, unsuccessfully, to lure fish. The very silence is music to my ears.The wrong notes are the small live bait, pink-white fish, a little longer than my fingers.
They are picked up and hooked, right down their middle and carried, writhing and flapping, to be “cast” into the water, again and yet again, till they go all limp and are thrown away. I am selfishly thankful, for want of a better phrase, that the soft little bait-fish cannot scream, or their agony would break the afternoon stillness over the waters, shatter it into a million tiny pieces.
Day 3
More of the same in the morning, but almost imperceptibly different. The lake turns blue, green or aquamarine and a dozen shades in between, depending on the quantity of clouds in the sky. This ensures that no two days would ever be entirely the same by its shores. Kenyir is like a moody woman, gorgeous, unpredictable.
A lake cruise in the morning, the sun nuzzling the nape of my neck, the lake breeze lulling me again, but I’m not asleep, merely comatose in an orange haze. I part my lashes from time to time to peer at the blue and the green skimming past, or the blue and green approaching, but it is all too much of an effort. When I’m taken to a herbal island and shown Tongkat Ali( a sort of herbal Viagra), and Kacip Fatima (the female equivalent), I’m still drowsy. I sleepwalk through the whole routine and get back to the boat to dream some more.
Writing about Kenyir lake, sunshine
We go to one of the 14 waterfalls that grace Lake Kenyir, and the road to it lies through tall, looming tropical jungle, strewn with leaves, red leaves, yellow leaves, leaves the size of my palm, and leaves big enough to form a small umbrella. Creepers and trees in tumbled profusion, stuffy, sticky heat and the omnipresent crickets calling through semi-dark jungle. The waterfall itself is a delight, cool flowing water, noisy yet soothing at the same time. Fallen logs from behemoth trees, small fish in still pools, mossy stones and grassy, slippery banks.
A moment of panic when the boat would not start. A moment that stretches into an hour, as the boat drifts over muddy water almost too shallow for it to tread. Visions of eating bugs, caterpillars and snakes from watching that stupid show Man vs Wild, where a good-looking guy teaches you survival tricks. (The hubby just adores that show.) Thank god they turn out to be merely wild visions, and a rescue boat arrives, dragging us back over the blue waters.
Day 4
Morning is another laze-fest, and I crawl around in bed as long as possible, take pictures, write, sleep. I drag out the seconds, stretch every minute, battle the hours. I do not want to go back to KL, but a ride back through the rain is inevitable. The anti-climax hits us when we realize we’ll be home only by midnight. I dive back into the book I’ve been reading, and surreptitiously take pictures, like this one:
But then I’ve always had a calm, peaceful lake inside me, a crystal pool of blue waters where all the stress, grief or anger in the world does not reach. I draw back into this lake each time the world is too much.
Writing when it is raining outside is such a joy. Specially when it is the kind of rain that pours down in Malaysia, in torrents, clouding out everything from miles around, darkening the sky so you have to switch on lights in the afternoon.
Writing about Rain, Writing, Being at Home
A friend of mine who is stuck in traffic in KL town just called me, and said I was so lucky, I could curl up at home with a book if I wanted to. She certainly wouldn’t mind, she said.
I know I’m lucky. I don’t have to go out to work, I can be writing in my pyjamas and nobody would be the wiser. I can lie back and take a break on a rainy afternoon, go tinker with the aquarium or place some of the plants in the balcony so they can take a shower, even get wet before heading to the shower myself.
Being able to stay at home doing exactly as you please is one of the blessings of a freelance career, or of a writing career in case you are not too worried about the bills.
But paying the bills is a big part of who we are, especially in these financially difficult times. A time which would perhaps someday be known as the Second Great Depression.
So, rain, poetry and writing for the sake of it is all very well, but I need to get down to work if I want cash. Which I do. So, back to work.
See you all after the weekend, I hope it is a relaxing one for one and all!
Cooking is as much a creative and fulfilling process as writing, and in the past few days, I’ve found cooking the easier of the two:).
I cooked over the weekend, and spent seven straight hours yesterday, cooking for friends, and did not mind it in the least. It can be such a sensory, even sensual act. Your ability to smell, touch, and see count as much, if not more, than your ability to taste. I have written before about how therapeutic it can be.
Cucinare e’ ugualmente creativo e soddisfacente come scrivere, e nei giorni scorsi, ho trovato che cucinare sia piu facile tra le due cose. Ho cucinato per tutto il fine settimana, e ieri ho passato sette ore cucinando per gli amici, e questo non mi ha dato nemmeno un po di fastidio. Cucinando tutti i nostri sensi si attivano fino a raggiungere anche una forte sensualita’. La capacita’ di sentire i profumi, di toccare, e di vedere, conta quasi come, se non di piu’, dell’abilita’ di assagiare. Ho gia scritto prima su quanto questo possa essere terapeutico.
In Malaysia, people understand good food, and are willing to go to great lengths to get it. A drive to the other end of town for a particular bowl of noodles is more a norm than an exception. And this fits right in with my gluttonous nature–my GPS has more food destinations saved than anything else.
The year I spent in Singapore was not really such a great cooking phase, because seeing the ubiquitous stick-thin women in mini-skirts killed my appetite for cooking (pun intended).
But now I’m back in the land of people who are forever discussing, ruminating, arguing over what to eat, and I’m happy.
As I wrote in my last post, I have a lot of time to kill and breaks to take in between writing sessions, for dreaming, blogging. Blog browsing as well.
Writing about Project Why
I have been trying this morning to catch up on the posts on blogs I follow, and this one made sense. With so much of made-up beauty around me, it was refreshing to read about souls without artifice. Refreshing, and maybe a bit jolting….the suite somehow seems even more claustrophobic than before.
The blogger is a social activist, a gutsy woman who runs a non-profit organization, working with those people and those places where all Indians should be contributing. Sadly, they do not. Most of her donors are people who live abroad, outside India, whether non-resident Indians, or foreigners. So are a large number of her volunteers.
As an example of the indifference of the city she works in, her grassroot fund-raising effort of 1 Rupee a day, or 365 Rupees (8USD) a year did not have almost any supporters in India. She frequently talks about two Indias, and there is nothing more distressing to me than to be faced with the inequities she holds up for inspection.
And this sort of inequality is a reality not just in India, but also in Malaysia where I live, in Macau where I’m staying right now, in the U.S., which seems to be hurtling headlong towards depression.
In a way, she is my window into India and my conscience for me during my expatriate existence. She is doing what a lot of us have the urge to do, and never have the courage to actually step in and do it. She is one of those people who actually make the world a better place, and renew faith in human nature for a hardened cynic like me.
I was rifling through some of my old blogs, sifting through my earlier writing, when I chanced upon this post. At the time I was considering my move from Malaysia to Singapore.
It has been a few months since I have returned after my stay in Singapore, and am back again in Malaysia in familiar surroundings, among friends. I see an older, different “me” in the post and feel amused
Writing about Dusk in Singapore
I think we were staying at The Grand Copthorne or some such hotel, and it was a lonely evening because the husband had some work.
I like watching Singapore light up, little by little, like a shy Oriental bride adorning herself, tremulous, slow, graceful. Night takes its time descending here, but when it does, it does so abruptly, and then the yellow, blue, green lights that had glimmered in the last pale light of dusk are suddenly resplendent. The banks of the tiny river are dotted with lights that fall on the miniscule ripples, little pools of light in a continuous flow of darkness.
I also find this is a city-state fanatic about jogging, young or old, in dry or drizzle. They are there, breathing hard as they pass me while I recline on the cushions.The hotel has tossed a few wooden chairs inside a glass-covered portico on the waterfront, over which the building looms: I can’t see its top when I look up.
I sip at my iced lemon tea, and consider things, try to resolve in my head a knotty project I am struggling with, and find that my brains have become sluggish along with my body. A light breeze breaks out on the river momentarily relieving the tropical, sultry warmth, and I cannot find my last train of thought. I give myself up to watching all these health-concious people whipping past me at a run.
I have swooshed up the lift now, along with a dotty old man who could not figure out how to swipe his card on the lift, and was very relieved when I offered to do it for him.
From my room I can see the traffic jams, all crossings marked by blinking red lights as toy cars glide to a pause. I am afraid of heights, but this view from the room through glass across an entire wall persuades me that living in a highrise apartment may not be such a bad idea after all. In a few months I will be househunting here, and I shall keep that last bit in mind.
I want to make writing on this blog a daily rite. I am a writer, so most of the posts are related in some way or the other to writing or reading. I have made some excellent friends via this blog, and hope to make many more. Connect with me at meringue dot p at gmail dot com.