Do you have to be intelligent to be evil?


A question like “do you have to be intelligent to be evil” can seem philosophical and vague, but it becomes less theoretical when you apply it to a death penalty court case like the one that has played out in Georgia. Must there be a conniving, Machiavellian mind behind evil, or is it something inherent in anyone — or everyone?

…..At the Rensselaer Polytechnic Institute’s department of cognitive science, a research team explored the logic of evil by programming a computer character named “E” that “acted on” or was motivated by a definition of evil. The Rensselaer crew defined an evil person as one who decided to commit an immoral act without prompting and carry out the plan with the expectation of considerable harm. When reflecting on those deeds, the person would either find incoherent reasons for his or her actions or think the damage caused was good.

….Trying to get an objective answer about evil or intelligence is never going to work. We all have too many inherent prejudices and biases to ever get a response that satisfies us. But looking at something like Dr. Welner’s Depravity Scale does lead me to believe that critical thinking about intelligence and evil does have a purpose in our society: if we’re ever asked to use our own definitions of what is evil and intelligent to judge someone’s actions, we better have a compelling reason to believe our own opinions.

Hakone Open Air Museum

Intelligence and Evil

 

That was an excerpt from an article I read the other day, and though it goes on to talk about insanity pleas and so on, it reminded me of what weighs on all our minds.

Like a lot of us, I’ve been watching Gaza, and also the Malaysian plane shot down in Ukraine.

Since I can’t do anything else to help this world gone mad, where children are murdered (while they play on a beach or fly 33,000 ft above the earth towards a vacation or their homes), I try to gather positive energies. If the world goes negative, the only thing in my small, insignificant hands is to be positive. I can only add myself to the sum total of positive energies in this world, and thus stand against the negatives.

But somehow, I wonder whether the intelligence that has given us humans such an advantage in evolution would one day be our undoing. (Even in the animal world, it is the dolphins who rape, the chimpanzees who murder– is evil a function of intelligence quotient, after all?)

What do you think? Is what’s happening in the war-torn areas of the world a result of intelligence gone mad? Other than ranting and fighting virtual wars on Facebook, how can we as human beings help undo this horrific situation?

Do you have questions for a Literary Agent? #agentchat #amwriting


I’ve been away for a while– traveling and recuperating,  but today I’m back with my  writer’s guest post series in this blog.

It is with great pleasure that I now present Andrea Pasion-Flores from the Jacaranda Literary Agency. She’s a joy to talk to, extremely kind and helpful, yet a thorough professional– a spirit that is reflected in her answers below:

1. You’re both an author and a literary agent. How did this happen, how do you balance the two roles, and how do they affect each other?

For Love and Kisses: Andrea Pasion-Flores

For Love and Kisses: Andrea Pasion-Flores

It’s difficult, but I try to make the time. I’m also a mom and a college teacher. But I find that my many roles feed on each other. My teaching (it helps that I teach literature) and my being a writer certainly help me spot a good story and allow me to help the writers in our list improve their writing.

2. As an agent, what are the sort of books are you looking for?

I’m looking for the distinct voice, fabulous narrative, mastery of language. It’s hard to describe. I guess I want to be blown away.

3. As a reader, who are your favorite authors, and why?

There are so many! At the moment Aravind Adiga, Junot Diaz, Mohsin Hamid, Chimamanda Adichie, Jhumpa Lahiri, Gilda Cordero-Fernando, Kerima Polotan, Gabriel Garcia Marquez, Salman Rushdie, Jose Y. Dalisay, Sally Gardner, Zadie Smith come to mind… so many!

4. What was the last book you read as a reader, and not an agent?

Maggot Moon by Sally Gardner–fantastic, young adult dystopia. I want to buy all her books!

5. What book, published in recent times, do you think should be more recognized, and one that you think is overrated?

Haha. This is a trick question! I think Asian lit in general should be recognized. It’s sorely underrated and not as widely available. I think most of the independent presses, carried by the indie bookstores, are doing a lot of good stuff. Unfortunately, we’re all used to going to the mainstream bookstores to buy what’s pushed by mainstream media–especially the kind with the movie tie-ins. The answer to the second part of your question is hinted. But, having said that, the “overrated” have their markets–and they do serve an important purpose: they get people into the habit of reading! Besides, who doesn’t enjoy a quick read or two now and then? I certainly do. So I say the overrated books are great. I’d love to pick some out and push them myself.

6. As an author, what is the aspect of writing that interests you the most?

I like discovering where a story will take me, each story being different from the past stories I’ve written although in some sense the same. When I wrote the stories in my book, I didn’t quite realize how easily they fit into each other when I put them together years after they were written.

7. As an agent, what is the one concrete piece of advice you would give to an aspiring fiction writer?

The real writing happens in the revision. One of my creative writing teachers said this to me. The more painful the process, the easier it reads. The first draft shouldn’t be given to anyone, so don’t give them to me. If you let an agent read a first draft, and it’s not great, you’re not likely to be taken on.

8. Tell us something about your latest publication. Where can readers find the book?

Ken Spillman’s blurb reads thus:
“Andrea Pasion-Flores unpacks the black boxes of everyday disasters. Among the casualties are women burned by men and children bruised by the turbulence of relationships around them. Among futile love affairs, irretrievable marriages and unspoken loss, we are brought face to face with hungry ghosts and consuming frailties.”

It’s a collection of stories written over a 10-year period. That span of time yielded many other things for me aside from stories, such as a government job, three kids (two of them twins), etc. So it does feel like a slim volume, given the amount of time it took. However, there was also that feeling that I have to bring out the best of what I’ve written thus far so I do feel those are seven good ones (with varying length and styles to show a range). In Singapore, there are a few copies at the moment with Closet Full of Books.

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Andrea Pasion-Flores

Andrea Pasion-Flores

Andrea Pasion-Flores  is the former Executive Director of the National Book Development Board of the Philippines, where she was known for her pioneering work introducing high-impact literary events to the country. Andrea is also a copyright lawyer and teaches English at the University of the Philippines as a member of the faculty of the Department of English and Comparative Literature. She brings her experience in these fields into her role as an agent with the Jacaranda Literary Agency. She is also a Philippine contemporary author in English, and the author of bestselling book Have Baby Will Date, as well as her recently published short story collection: For Love and Kisses.

Dear reader, Have you read any of the authors Andrea mentions? Are you looking for a literary agent? Do you have any questions for Andrea Pasion-Flores? I’ll be randomly choosing one reader from the comments below, to receive a gift copy of Andrea’s book– so fire away!

 

Overwhelmed By Beauty?

Overwhelmed By Beauty?


Travel has always been one of my passions.

But now, at the end of my first (of many, hopefully) Italian trips, I feel a little overwhelmed.

Too much beauty: in art, in nature, in people.

This here is my third attempt at blogging from my phone, this time on the train from Rome to Milan. Love that my phone lets me not only click pictures and edit them, but also make collages– all from a train doing 240 km an hour.

I’d been to various parts of Asia so far, and loved it— but my first European trip has left me breathless and craving for more. Here are a few clicks from the Rome Museum ( which do only moderate justice to the sheer grace and grandeur of everything I saw)

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Have you ever felt overwhelmed by any country you’ve been to?

Are Mistakes Such Terrible Things?


I’m taking a break from my blog, and in the time I’m away, Kate McManus has kindly offered to write me a post. This blog talks about questions surrounding life and writing, and I think the questions she asks in this post fit in neatly with my take on writing, life, and everything else in between.

Take it away, Kate!

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“A life spent making mistakes is not only more honourable but more useful than a life spent doing nothing”

George Bernard Shaw

Mistakes in Writing

Mistakes in Writing

We don’t like them and twist ourselves inside out to avoid them. But are mistakes such terrible things ? It goes back to early conditioning in childhood. We are told there is a right and a wrong way to approach a task. It’s a simple framework our society provides to keep us from the stress and chaos of having to make our own decisions before we have developed that capacity. It’s something we need to outgrow and as we mature, come to appreciate that everything is multifaceted and can be both wrong and right at the same time.

“Why did I do that? I knew it wasn’t going to work out” A friend once exclaimed to me after going on a holiday- which produced another destructive romantic fling.To heal deep patterns in our life, it’s sometimes necessary to repeat them in order to gain the clarity and consciousness which will manifest permanent change. Most of our patterns are built unconsciously over time and so require this deep level of commitment to awareness of the triggers which produce the mistakes or errors of judgement. In this case, a repetitive mistake can become a healing tool, a portal to new life

To fully access our creative imagination, we have to let go of the right/wrong, rational /linear paradigm. Writing is one big mistake to which we apply the remedy of editing so that it can make sense to our readers. As Ernest Hemingway perspicaciously once said “The first draft of anything is shit.” Struggling for perfection in the early stages of writing is sadomasochistic and ultimately unproductive. Let the mistakes flow! Can you imagine the first draft of James Joyce “Ulysses” ?

Mistakes when you travel can produce fortunate adventures; It’s the mistake which makes your journey unique. That time when you wandered away from the planned route and discovered a completely different part of a city. Mistakes are a large part of the road less travelled.

Is life itself a mistake? Cosmologists now advise us us about the serendipitous evolution of human life; it’s inherent impossibility and fragility which evolved into the dominant life force on the planet.What a happy accident for all of us on planet earth!

Kate McManus travel blogger

Kate McManus

Kate is a blogger, writer, astrologer and healer, who travels around Australia doing house sitting. As an animal lover, she enjoys the companionship of all kinds of pets as she explores different parts of the country. Kate applies an understanding of the Astrological Archetypes to her life and travels. In between house sits, she likes to visit her family and two grandchildren in Canberra.

You can visit her blog at http://www.lightravellerkate.wordpress.com and Facebook page “The Conscious Cosmic Traveller “

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So, what’s your reaction when you realize you’ve made a mistake? How do you treat someone who’s made a mistake– a friend, a partner, a spoude, a sibling, a child, a parent? Is there a mistake you’re glad you made?

Would You write for free?


I recently read this article, about writers being asked to write for free.

People who would consider it a bizarre breach of conduct to expect anyone to give them a haircut or a can of soda at no cost will ask you, with a straight face and a clear conscience, whether you wouldn’t be willing to write an essay or draw an illustration for them for nothing. They often start by telling you how much they admire your work, although not enough, evidently, to pay one cent for it. “Unfortunately we don’t have the budget to offer compensation to our contributors…” is how the pertinent line usually starts. But just as often, they simply omit any mention of payment.

This is partly a side effect of our information economy, in which “paying for things” is a quaint, discredited old 20th-century custom, like calling people after having sex with them….Just as the atom bomb was the weapon that was supposed to render war obsolete, the Internet seems like capitalism’s ultimate feat of self-destructive genius, an economic doomsday device rendering it impossible for anyone to ever make a profit off anything again.

I empathize.

I’ve been asked, more number of times than I care to remember, to write for free. Till date, I haven’t written non-fiction for free. Fiction, though, is another matter. Some of my published stories were included in anthologies for free– some of them for charity (which I loved) and some just like that (which I went along with, because these are lit-zines with not much money). A few were paid for, but at a much lower rate than what my clients pay for my non-fiction articles. Apparently, there are very few markets for literary short stories, and most of them don’t pay much, and are notoriously tough to break into.

So far, I’m okay with it, because, I really write fiction as a passion, the way I keep aquariums or garden. Only, I’m much, much more passionate about fiction, both reading and writing, than I ever will be about my fish or plants. So, I’ve never considered making a living by writing fiction any more than I’ve thought of earning money by rearing fish or plants– I’m not saying that’s ideal, just that it hasn’t bothered me so far.

So, should I insist on getting paid for my fiction? (Naive question, some would say.)

As an author, have you written fiction for free? If yes, why? If no, why not? And if you’ve been paid, was it enough to pay your bills?

As a reader, do you ever wonder about whether the people whose work you enjoy get paid? Why, in your opinion, is there a stereotype of a starving artist or writer, but a surgeon, accountant or plumber is never expected to work for free?

Do you think an author should give away free stories like musicians give away free music? Is writing for free ‘good promotion’? Have at it in the comments– I need your opinion here! One randomly selected commenter will receive a copy of Tom Benson’s short story collection Smoke and Mirrors …which brings me to my regular monthly feature:

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BLOGS I RECOMMEND: GIFTS TO FRIENDS

As part of my pledge in my A to Z Reflections post, and Supporting Indie authors I’ll be buying and then gifting books by Indie authors to all my three Recommended Blog Friends today the 16th of June, just like I did on the 16th of May. The idea is to simply pick up books I like, by Indie authors I like, and give them away to folks I like, each month.

These are the three bloggers I recommend today, and I’m gifting them tokens of my appreciation…books that I like!

Blogs you must read!

Blogs I Recommend

         MICHELLE STANLEY:  I can’t say enough about how supportive and kind Michelle is, and also an amazing writer. She is just the reader I can think of for One Beautiful Child, superbly crafted stories by Annalisa Crawford, my blog friend from Amlokiblogs.

              GARY PENNINCK : a dear soul and kind friend, who, while berating the A to Z Challenge has given it more publicity and love than many who have participated in it.  I’m gifting him a copy of The Path Through the Eye of Another by Davey Northcott , a supporter of this blog. Gary is just the sort of guy who would enjoy a lyrical book, full of emotions and a passion to survive, and a ‘good fight for what is right’ kind of story.

             M. L. SWIFT:  a good blog friend, a wonderful writer, and terrific blogger. He has recently come back to blogging after a short hiatus. To him a I gift Smoke and Mirrors a collection of delicious short stories by Tom Benson, another of my supportive blog friends, and a prolific, versatile author.

To all three of you, thank you for your support and I hope you have tons of visitors on your blogs this coming year. I don’t expect you to do anything with the book other than enjoy it, and if you want to support Indie Authors, too, buy a copy for your friends or family!

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Dear reader, what are your thoughts on the questions above? Do you know any of the bloggers I recommend?

By Buying from Amazon, are you Supporting a Bully?


Amazon and Hachette

Amazon and Hachette

If you read or write books, you might be aware of the Amazon Hachette debacle. If you aren’t, this will give you the gist of what Amazon and Hachette are negotiating this very moment.

If you’re an author or reader, (the majority audience of this blog) you’ve all dealt with Amazon in one way or the other.

On the one hand:

Amazon is a behemoth that has leased you your ebooks and is fully able to lay its claim on them any time it so chooses. It could also selectively delete books from your device, without notice.

The New York Times is calling Amazon a Monopsony, the mirror image of Monopoly.

On the other hand:

Amazon has enlarged the book revenue pie for everyone by generating real e-book revenue with the Kindle digital reader, as well as with “the world’s first viable mass-market self-publishing platform,” which has enabled “thousands of new authors to make a living from their writing for the first time in their lives.” (Original article here )

Some independent authors selling via Amazon are celebrating and then,  there are people who’re saying this:

“Unlike almost every other CEO of a publicly-traded company, Bezos does not consider his most important constituency to be shareholders, followed by the board of directors. Bezos knows that if customers are happy, everything else tends to fall into line in the long run…

..Bezos doesn’t ignore profit margins, he just takes them out of the hides of everyone except customers. He pays terrible wages, especially to low-end employees, strong-arms suppliers and business partners to lower prices, and invests in technologies and tactics that will reduce costs, often by firing more people…I would never want to work at Amazon. But I have to admit I like buying from the company.”

This is where my questions come in.

Do you buy books on Amazon?  If Amazon is fighting to lower ebook prices should it win your support as a reader? Do you sell books on Amazon? Are you concerned that the fate of the Hachette authors may one day be yours? Is Amazon becoming too powerful by selling everything from books to electronics to diapers? Do You ever feel that by buying from Amazon, you’re supporting a bully– but that Amazon is simply too good to resist? Have at it in the comments!

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And here are today’s Bloggers I recommend visiting!

As part of helping spread the love in my community, I recommend three bloggers on each post, and today’s bloggers are:

Mishika Jenkins or Harliqueen: She’s a writer, and talks a lot about her writing process, in a way that always makes me go aha, and smile!

Vidya Sury: She’s a ray of sunshine, wherever she goes. Her blogs are for you if you look for positivity and conviction in your blog explorations.

Heather M Gardner: If you’re going to make one new blog friend this June, let it be her– a more supportive and kind blog friend is hard to find.

 

 

Have questions for an established #author and #Creative #Writing Lecturer at Birkbeck?


As part of my ongoing series with experts from the publishing industry,  last week I hosted Jayapriya Vasudevan, Founder of the Jacaranda Literary Agency. Today, I bring you Julia Bell, Senior Lecturer, teaching the MA in Creative Writing at the prestigious Birkbeck College, UK. I’ve had the good fortune of having her as my mentor under the Writing the City Programme, and I have to declare that she’s the best thing that can happen to you if you’re a noob like me attempting a novel.

Today I ask her a few questions, and encourage you to add yours in the comments– I hope to get you your answers. So without further ado, here goes:

1. Hanif Kureshi recently said that Creative Writing Courses are a waste of time. As a Senior Lecturer of Creative Writing at one of the most prestigious creative writing programs in the UK, what is your comment on that? What do you look for in a potential candidate for your program?

Julia Bell: Creative Writing Coursebook

Julia Bell: Creative Writing Coursebook

Hanif Kureshi sounds like part of an older generation of writers who preserve their position through adopting an attitude of superiority. Creative Writing programmes have created a new democracy in literature where anyone with a story can learn how to tell it and I think it’s evident now that Creative Writing can be taught. This is an interesting article from Publishers Weekly explaining exactly how and why MFA programmes are a necessary part of the Literary Culture in the US.

I would say that CW MA/MFA Courses are a vital part of finding and developing new voices in literature. I can’t teach boring people to be interesting, but I can help interesting people to write better, to develop their work into a voice. I’m looking for openness to feedback, a sense of the experiential nature of storytelling and a felicity for language. Raw talent can always be shaped through editorial feedback and there is nothing more exciting than watching someone finding their real voice, their point of view on the world.

2. How does your experience as an author feed into your teaching? What do you like best about teaching creative writing and what puts you off? (The lecture she links to is fab– give it a listen if you’re an aspiring author)

I would teach by example – I write every day and I try to encourage students to do the same. Being a ‘daily artist’ is what it takes to sustain a career as a writer. There is quite a bit of my teaching available for free on the Birkbeck website Writers Hub – here is a link to a lecture I gave on a writer’s territory.

3. If you had to give just three pointers on ‘writing technique’ to aspiring authors, something general creative writing books don’t tell them, what would they be? (Here are a few she’s already spoken about)

It’s hard work. It demands your full and complete attention. And sometimes you write crap but there is always something good even if it’s only a sentence in a bad day’s work.

4. If you had to choose three of your favorite authors and their best works, which would they be? Why did you choose these in particular?

I don’t know if these are ‘best’ works but these books have hugely influenced my thinking about writing and my life itself:

George Orwell The Clergyman’s Daughter His prose is so clear and clean I would aspire to the same clarity of vision, but the story of a vicar’s daughter who is oppressed by the faith of her father was both a warning and a portrait of what I didn’t want for myself.

Jeanette Winterson – Oranges are Not the Only Fruit – I was jealous when I read this it seemed to articulate something about my own life, and I wondered what I could add to the story. It’s interesting how she returned to the subject in a memoir 25 years later – Why Be Happy When You Could Be Normal – the two are companion pieces to my mind and make up her best and most interesting work.

Virginia Woolf – Mrs Dalloway – Oh I how I love her – what a writer – she understood that good prose also contains good poetry. Her essays are also a delight in the fluency of articulation and the way she approaches her subjects. Clarity and rhythm are for me what I want out of good writing. Something that sings in my head.

5. For those new to your work, which of your novels would you recommend they start with? 

Massive, by  Julia Bell

Massive, by Julia Bell

I write novels which are the equivalent of British Indie films. I want them to have a realism like Orwell and a voice that has the a poetic flourish – but these effects must be earned – too much poetry and the prose becomes dense, not enough and it’s too plain, too staccato. I’m very proud of my first novel, Massive which is to be republished next year in a revised edition with the cultural references updated from 2002 to 2015. It’s a real privilege to get to do this – there will then be two slightly different editions of this book out in the world which I think is a delight for a writer. You can find out a bit more on my website.

6. Tell us about your forthcoming novel.

My new novel is called The Dark Light and is the story of a girl who has grown up in a strange religious cult. It’s a bit like a reworking of the Wicker Man with a bit of Lord of the Flies thrown in. It comes out in May 2015 from Macmillan. Follow me on Twitter @juliabell for updates as the process moves towards publication – first I’ve got to do some editing . . .

7. What was the spark of the story, and what was the writing process like? Who is your target audience?

I think it’s a story about my childhood, but also it’s been inspired by an increasing sense of religious fundamentalism in the world. I’m interested in how rigid religious thought can become like a trap even as it purports to set people free. Ironically my upbringing fostered a sense of fairness which rails against religious fundamentalism where women are seen as subordinate to men and sexuality is seen as something to be feared rather than enjoyed.  I’ve also been writing a memoir in verse which I see very much as a companion piece to the novel. You can see me reading some of it here.

Julai Bell, author

Julia Bell

Julia Bell is a writer and Senior Lecturer at Birkbeck College, London where she teaches on the Creative Writing MA and is Project Director of the Writers Hub website. She is the author of three novels, most recently The Dark Light to be published in May 2014, the co editor of the Creative Writing Coursebook as well as three volumes of short stories most recently The Sea In Birmingham. She also takes photographs, writes poetry, short stories, occasional essays and journalism, and is the co-curator of spoken word night In Yer Ear.

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Do you have questions for Julia Bell? Have you come across the Creative Writing Coursebook? Read Massive? Have you done an MFA/ MA in creative writing, or taken any other creative writing course? Would you recommend it?

Want to chat with a Literary Agent? #MSWL #amwriting


As part of my ongoing writer’s guest post series in this blog, Melanie Lee spoke to us a week back. Today, it is with great pleasure that I present Jayapriya Vasudevan, one of the best known literary agents in Asia, who founded the Jacaranda Literary Agency. She answers questions on various topics of writerly interest: feel free to leave your questions for her in the comments section, and I’ll do my best to get answers for them.

Hi Jayapriya, and welcome to Daily (w)rite. What was the impetus behind your becoming a literary agent?

I used to run a bookstore/café years ago, and got to know both writers and publishers really well. The agency started when a writer I adored asked me to introduce him to the head of Penguin, India. It seemed to be the perfect way to use all my experience in the publishing world ( I worked in various aspects of publishing before I set up the store with a partner). I was the first agent in India, and I figured out the business as I went along. An editor friend and I put the word out that we were looking for manuscripts. We received more than 40 in a week. Amongst the authors we took on were Anita Nair (her first novel) and Rohini Nilekani. The writer who started me on this journey, the very first author in the Jacaranda list, Shashi Warrier. I still represent his work. The publisher, David Davidar. Now head of Aleph.

What is your typical day as an agent at Jacaranda Literary Agency?

Insanely busy. We are four agents who work out of four countries, with around 80 writers on our list. With varying time zones it’s mad. The first half of the day is about calls and emails. I speak on Skype with either Helen in Singapore or Andrea in Manila at 6.30 am my time. I spend around two hours reading every day: a fiction manuscript and one non fiction manuscript at a time. Takes me around 10 days to finish two manuscripts. And meetings happen as they will, as well as literary events in Nairobi, put together by various organizations like Kwani, (works with emerging African voices) and Storymoja, (does a chapter of the Hay Festival), and then there are the major book fairs and literary festivals we attend through the year.

What do you look for in an author you choose to represent? What sort of submissions are you seeing too much of, and what are the kind of submissions you’d like to see more of?

Good writing is at the core of everything. At least two of us at Jacaranda need to love it. The agency business is also very relationship based. The author-agent relationship is one of trust, and partnership. The ability to talk freely with the author, discuss edits and ideas is as integral to the agency business as the work itself. We get too much debut writing, of a quality that we’re unable to represent ( also saying here that we read at least 50 pages before abandoning a book). Writing to a trend or a market does not necessarily make for good writing, and that’s what seems to be happening now. We’d like to see more narrative non fiction. More beautiful and personal stories. More memoirs. Writing that stems from real experience or very good research as the case may be. We’re looking to grow our brand new Children’s list, and writing from Singapore, India, The Philippines and East Africa.

If you had to choose three of your favorite authors and their best works, which would they be? Why did you choose these in particular?
Anita Nair. Shashi Warrier. Suchen Christine Lim.( FH Batacan.Krishna Udayasankar. Kiran Khalap. Jess De Boer, Tracey Morton.. I could go on really…) These in particular for their incredibly beautiful writing. Vivid. Nuanced. With real stories to tell.

Will you be at any upcoming writer’s events, festivals, conferences where writers can meet and pitch you?
I will be at Storymoja in Nairobi. Helen and Andrea will be at AFCC.

Any words of advice to authors worldwide looking forward to representation from your agency?

Take the trouble to do more than one draft. Be critical of your own work. Edit. Edit. Edit. Stay with a style that you are comfortable with and not try and copy a writer you admire. Proof your work. Send it out in a format that makes for easy reading.

Jaypriya Vasudevan: Jacaranda Literary Agency

Jaypriya Vasudevan: Jacaranda Literary Agency

Tell us about a project you’ve represented that is coming out now/ soon.

Krishna’s next book this fall. David Grossman’s To The End of the World in Tamil. Shashi Warrier and his wife Prita ( adorable to have husband and wife writing), their novels also this fall. A riveting first person account on being bipolar. Zafar Anjum’s book on the poet Iqbal. FH Batacan’s Smaller and Smaller Circles, and Table for Three.

About Jayapriya: I come from a family of writers. My father was one. My brothers are writers. I studied English Literature in College and have been in publishing since then. I adore the Arts, both performing and visual. Love books, naturally. I have lived in many countries and am delighted that this allows me to experience the literature of several countries as a local. Publishing is the only industry I would be a part of. I live in Nairobi, Kenya.

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Dear reader, what are your thoughts on Asian authors? Have you read any of the authors Jayapriya mentions? Are you on the lookout for a literary agent? Do you have any questions for Jayapriya Vasudevan? 

Sharing your Personal Life on your #Blog : Your Thoughts?


Personal Emotions on Blogs

Personal Emotions on Blogs

A new blogger has asked me: How much should I reveal about myself on my blog?

My short answer: as much as you’re comfortable with.

I understand that a writer who thinks her writing doesn’t reveal anything about herself is like a circus elephant trying on a disguise.

No matter how subtle or make-believe you are, you reveal a lot of you when you write.

Personally, I try to keep it as professional as possible on both my blogs, with personal touches here and there. I do share important personal news, but I usually give only the bare details.

What about you? Do you share your personal life on your blogs? Do people sharing details of personal trauma turn you off or make you read more? What would you say to the blogger who sent me this question?

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Time for my regular Bloggers I (strongly) Recommend Visiting feature:

Jacqui Murray: She’s a fab writer and blogger, and if you’re a writer you can be sure you’ll gain insights from her excellent blog, like this post for YA authors.

Susan Scott: A new friend, and a great supporter during the A to Z Challenge. Here’s one of her amazing posts on Pain.

Guilie Castillo Oriard: A cherished blog-friend over the years, and this year, a fab member of my awesome #TeamDamyanti . Check out some of her cool posts, like this one.

Go give them some love, and if you’re a regular supporter of this blog, I’ll try and send some love your way too, one of these days. All of these three bloggers are worth your time and effort. Promise.

 

Did You have Imaginary Friends as a child? #FridayReads


Imaginary Friends by Melanie Lee SIngapore

Imaginary Friends: Melanie Lee

I met Singaporean author Melanie Lee at a writing workshop years ago, and we’ve been writing buddies ever since. She has recently published her first collection of short stories: ‘Imaginary Friends‘. I loved her book launch and you can see some of it here!

I’ve loved reading these voice-y tales which end with a snappy ‘moral’ — a somewhat snarky word of wisdom for all of us who fall in love, work, and interact in the modern society. For instance, her story Herman the Hopeless Hippo ends with the cautionary note: If you fall for a mama’s boy, you’ll need to have a lot of patience.‘ After cheering her on at her book launch last week, I got together with her for an interview. If you have more questions for Melanie, drop a line in the comments!
1. Tell us a bit about your fiction writing journey.

I remember writing a copious amount of fairytales at 6 years old about princes and princesses. But that habit faded away when I started going to school, and it was pummeled into me that I had to write more seriously and logically for English assignments. There was this fictional vacuum for many years till my mid ‘20s, when I attended a short creative writing course for fun while doing my Master’s degree in Melbourne. I actually don’t remember what I learned from that course, but
it was an important experience because it made me realise that there were all these possibilities to create wonderful new worlds and characters with words. From then on, I began to write short stories and poems for fun, but only really had more guts to show/submit them in recent years.

2. What gave you the idea for your book, ‘Imaginary Friends‘?

I decided that I wanted to take part in the Blogging from A-Z Challenge (this wonderful writing event was introduced to me by none other than Damyanti, whom I regard as a writing mentor even though she tells me I’m being ridiculous). Someone said something about how it was good to have a theme for this challenge so as to have more focus. I thought I’d revisit this idea of imaginary friends because I had quite a few of them when I was young!

3. What is the target audience for your book?

I wrote these stories with no target reader in mind. My publisher positions it as a “kidult” book –something young-at-heart adults might like. But then, some kids as young as 6 have been telling me they enjoy the stories in the book. I actually think it’s more of a “target personality” – the book is suitable for people who love to laugh, perhaps are slightly cynical and are not opposed to sleeping with stuffed toys.

4. Each of your stories has a ‘moral’, tell us a bit about that.

I thought it was a fun and snappy way to conclude each story. But looking back, I guess they are lessons I’ve learned from life thus far. However, they’re not meant to be taken too seriously. I like it when readers tell me they got different “lessons” from a particular story, because really, there are so many ways to look at this world.

5. Which is your favorite character in the book, and the favorite story?

My favorite character in the book is Olivia the Overachieving Octopus. In general, I’m partial towards efficient personalities because there’s a lot of flakiness in this world these days. I like Elly the Egotistical Eraser story the best because I used to have a whole “stationery family” (with names) in my pencil case and I always wondered about the conversations they had when I was not around.

Melanie Lee: Author of Imaginary Friends

Melanie Lee: Author of Imaginary Friends

6. Can we have a taster, a link to one of your stories?

Sure, I shared my Timmy the Tenacious Teabag story on T Ching (a tea website) which you can read here.

7. Where can we buy ‘Imaginary Friends’?

If you’d like to buy the print edition of Imaginary Friends, you can buy it from MPH Online (they do international deliveries). If you’re from Singapore or Malaysia, Imaginary Friends is available at MPH and Kinokuniyabookstores. You can find the ebook at Amazon and Kobo.

Bio: Melanie Lee is a freelance writer based in Singapore. She does a mix of editorial, corporate and creative writing.
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I’ll be giving away two copies of the Imaginary Friendsebook randomly to two commenters on this post in order to support my friend Melanie, who’s been a joy to talk to and write with, along the years. So please leave your comments, interact, chat with Melanie and each other!

As part of my pledge in my A to Z Reflections post, I’m again featuring Bloggers I Recommend Visiting. I also spoke of Supporting Indie authors, so in that spirit, I’ll put my money where my mouth is. 

This time, I’ll be buying and then gifting books by Indie authors to all my three Recommended Blog Friends. (I hope to do this gifting on the 3rd Friday of each month, and more, if my book budget allows it! )

Tina Downey: A cohost at the A to Z Challenge, fab blogger, very dear friend. I’m gifting her a copy of Imaginary Friends‘ by Melanie Lee. She is the sort of girl who would enjoy a humorous book, with fab illustrations and snappy morals!

Paul Ruddock A cherished blog-friend, and amazing supporter of this blog through the A to Z Challenge. I’m gifting him Beyond the Binding, an anthology of short fiction edited by Samantha Redstreake Geary and written by a lot of fellow bloggers. He likes short fiction and loves supporting others, so this charity anthology should be right up his street.

Mary Wallace: One of #TeamDamyanti , who has consistently inspired me with her great cheer in the face of incredible odds. I’m gifting her Doing Max Vinyl by Frederick Lee Brooke. She might enjoy an entertaining, humorous thriller with a lady lead.

To all three of you, thank you for your support and I hope you have tons of visitors on your blogs this coming year. I don’t expect you to do anything with the book other than enjoy it, and if you want to support Indie Authors, too, buy a copy for your friends or family!

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Did you have imaginary friends as a child? Would you like a copy of Imaginary Friends in your inbox? Do you know any  of the three Featured Bloggers? Heard of the three books? Want to buy them?